| Genesis of the play Paulus Manker Why did you take a "footnote of this century" as                     the center of such an exuberant and enormous enterprise?
 Joshua Sobol I have been planning originally to write a play about Gustav                     Mahler for many years, and I have been reading a lot about                     Gustav Mahler, and he was the center of my interest. But I                     never knew how to start to write the play about Gustav Mahler.                     I only had one thing in mind, that was his notorious encounter                     with Sigmund Freud in Leyden. And of course this meeting between                     the two of them took place only because of Alma, and what                     she did to Mahler. And so slowly my interest shifted to Alma.                     But it was not my original intension to take Alma as the center                     of my play. And then, when we had the idea together of finding                     a subject for a play which would justify playing kind of a                     "Polydrama" in many spaces at the same time, and                     activating the audience, and making the spectator active in                     choosing his way in the story, one of the ideas was to take                     Alma as a possible subject for such a play. Because of the                     complexity of her biography, and because her biography reflects                     the history of the first fifty years of our century.
 
 
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                              | I think that Alma is also an epitome of the destiny of women                     in the first half of our century by her constant struggle                     to establish herself, to cut a place for herself amidst the                     world which is governed by very strong male characters. And                     Alma tried to push her way into that circle, and to occupy                     a place of importance amidst those male monsters of our century.                     And in a way she came too early, because if she lived in the                     second half of the century, she would not have any problem                     in trying to establish herself as a composer. But in the first                     half of our century she had still to struggle for her existence,                     and finally was pushed into the role of a "housewife"                     so to speak, of someone who accompanies the great men, but                     it is not allowed to occupy the same place like they did.
 Alma is only a footnote in the history of our century, but                     when you focus on her you realize that she tells a story,                     a certain, very important story about the struggle of women                     in our century to change their status in society. And Alma                     payed a terrible price. She payed the ultimate price. She                     had to sacrifice her career, she had to sacrifice her vocation.                     She was pushed into the vocation of a "woman", of                     a "beautiful woman" or an "atttractive woman",                     and she had to abandon her vocation as a creative person.                     All this makes of her a very passionate character, a dramatic                     character. The fact that she struggled, that she didn´t                     give up, and that she did not accept it in a mediocre way.                     She was fighting - as I see it - all her life. And so I think that she deserves a great drama.
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