| Castle PetronellThe history of the County of Petronell has been documented 
                    since the 11th century. As part of the larger estate of Agnes 
                    of Poitou, widow of Emperor Henry III, the County of Petronell 
                    was transferred as a feudal estate to the line of Vohburg. 
                    Petronell transferred from the Vohburg family to Hugo of Liechtenstein. 
                    When the Petronell line of the Liechtensteins died out, Petronell 
                    passed to the Lords of Kranichberg, then to the Knights of 
                    St. George, later to the family Unverzagt and eventually, 
                    by marriage, to the Counts of Traun.
 The castle has seen much change over the centuries, largely 
                    due to its location east of Vienna, which exposed it to much 
                    destruction during times of war. The first significant renovations, which modified a fortified 
                    castle that had existed for several centuries into a palatial 
                    castle, date from the beginning of the 16th century. Early 
                    in the Thirty Years War, in 1619, the castle was destroyed. 
                    The subsequent reconstruction and renovation measures began 
                    in 1620, and included the demolition of several older components 
                    of the building.
 When the castle passed by marriage to Count Ernst III of 
                    Traun in 1637, it found an owner who decided to renovate the 
                    castle for the purposes of representation. The new owner engaged 
                    numerous artisans for the work, including some of the leading 
                    names in their fi elds. Dominico Carlone was engaged as the 
                    construction supervisor. He and his brother Carl Martin were 
                    at that time in charge of the construction of the Leopold 
                    Wing of the Imperial Palace in Vienna. At one time, Carlo 
                    Canevale also led the construction efforts. Stone masonry 
                    work was carried out by Giorgio and Ambrosio Regondi. Much 
                    of the stucco work was done by Donato Rueber, Johann Castello, 
                    and Johann Piazoll.  During 1666-7, Carpoforo Tencalla, a Northern Italian painter 
                    who was one of the most sought-after fresco painters of his 
                    time, commenced his work in Petronell. His most significant 
                    contribution was the interior of the Festival Hall, after 
                    which he also completed the wall paintings in the Sala Terena 
                    and its adjoining rooms. During the 1670s Tencalla painted 
                    the frescoes in the gallery of the South Wing of the castle, 
                    as well as the old "Dining Hall, the castle chapel, 
                    and several other rooms. He also completed the two altar paintings 
                    in the castle chapel. In 1667 the West Wing, with the tower on the courtyard side 
                    and an imposing staircase leading to the Festival Hall, was 
                    completed as a shell. Tencalla completed the frescoes of the 
                    festival hall in 1669. Carlo Canevale constructed the stone 
                    bridge across the moat at the eastern side of the building 
                    during the same year. The North Wing was constructed during 
                    the 1670s.  The immediate surroundings of the castle were also significantly 
                    altered during this period. The walls surrounding the castle 
                    were razed, and a park was laid out in the West. It is probable 
                    that the moats were also filled in at this time. The surroundings 
                    of the castle were designed to support the artistic impression 
                    of the architecture and to form an important component in 
                    the statement the buildings made about their owner and ruler. 
                    The park and the gardens now formed part of a larger architectural 
                    unity. The renovation of the castle was completed by the middle 
                    of the 1670s. The steps taken had transformed the fortified 
                    medieval castle into a baroque palace. During the disasters of 1683, however, the castle was set 
                    on fire by the Turks and within a few hours was nearly destroyed.
 After 1690, Count Otto Ehrenreich I of Abensperg-Traun, Field 
                    Marshall of the Austrian Army, took pains to restore the castle 
                    and initiated the restoration of the partially ruined frescoes 
                    painted by Johann Bernhardt von Weillern. By the beginning 
                    of the 18th century, the ruin left behind by the Turks had 
                    once again become the magnificent palace of a prosperous ruler. 
                    No significant alterations have been made since that time. 
                   The chapel, the festival hall, and the inner courtyard with 
                    its portraits of Roman emperors, continue to attract great 
                    public interest.  Architect Walter Hildebrand took over the castle from the 
                    Traun family in 1997. < back |